[MAN OVER HEADPHONES] THIS IS A CODE RED: EXERCISE EXTREME CAUTION:
[INDISTINCT NOISE]
WE HAVE A POSITIVE I:D. ON THE TARGET:
BACKUP IN PLACE:
[PANTS]
YOU'RE RUNNING OUT OF TIME. MAKE A DECISION:
[WHISPERING] I DON'T KNOW WHAT ROOM THE HOSTAGE IS IN. I NEED INFRARED:
YOU DIDN'T ASK FOR INFRARED. THE HOSTAGE DIES IN 5 SECONDS:CRAP!
F.B.I.! FREEZE![MULTIPLE GUNSHOTS]
SIMULATION FAILED:
CRAP!
TRAINING SESSION CONCLUDED: [BELL RINGS]
THAT WAS PRETTY GOOD:
I DIED:
BUT THERE'S POINTS FOR STYLE. I LIKE THE ROLE:
COME ON: LET'S GO.
GO WHERE? WHO ARE YOU?
WASHINGTON: I'M NICOLE SCOTT.
AND YOU'RE MY NEW PARTNER.
I CAN'T BE. I'M STILL TRAINING.AND A LITTLE GIRL HAS DISAPPEARED:
IF WE DON'T FIND HER, SHE'S DEAD.
SCHOOL'S OUT.
[NICOLE] YOU EVER HEAR OF ASSISTANT DIRECTOR JOHN POLLOCK?
HE'S IN THE ORGANIZATIONAL CHART, RIGHT NEAR THE TOP:
YOU READ THE CHART?I READ ALL THE MATERIALS:
HE HANDLES SPECIAL OPS:AND HE'S OUR NEW BOSS SO I GUESS WE'RE SPECIAL.
I DON'T SUPPOSE BROOKE IS HERE?BROOKE WHO?
PASLET. MY OLD PARTNER: SHE TRANSFERRED TO SAN FRANCISCO:
I HOPE SHE LIKES THE FOG:[JESS] DO YOU WORK HERE ALL THE TIME?
ONLY COME IN FOR THE DISCIPLINARY HEARINGS:
HEY.[OVERLAPPING "HI"]
IT JUST SEEMS LIKE EVERYBODY KNOWS YOU: LIKE YOU'RE FAMOUS OR SOMETHING.
FAMOUS, INFAMOUS: WHO KNOWS?
THAT THING ABOUT A DISCIPLINARY HEARING: YOU'RE KIDDING, RIGHT?YOU LOOK NERVOUS.
I'M NOT NERVOUS. I JUST DON'T WANNA GET FIRED ON MY FIRST DAY.COULD SAVE SOME TIME:
FROM WHAT I KNOW ABOUT POLLOCK: THAT MIGHT NOT BE A BAD THING:
KILL THE LIGHTS: WHAT'D I SAY?
SORRY, MR. POLLOCK:
[POLLOCK] SECURITY CAMERA FOOTAGE FROM A SHOPPING MALL IN WHEATON, MARYLAND:
WE'RE RELEASING IT TO EVERY NEWS OUTLET IN AMERICA:
SEANNA SEABROOK, 15 YEARS OLD:
NOW ADD SOMEONE WE DON'T KNOW YET.
GO DOWN ONE FLOOR:
AND WHEN THE DOORS OPEN: THEY'RE BOTH GONE.
WHOLE COUNTRY'S GONNA WANNA KNOW WHAT HAPPENED TO HER:
FIND HER:
[WOMAN] ♪ WISHING YOU WERE WITH ME NOW ♪
♪ ME, I'M HERE HOLDIN' IT DOWN ♪
♪ CONNECTING THE DOTS GOT NO DELUSIONS ♪
♪ WEIGHIN' MY OPTIONS OUT
♪ SEARCHIN' THROUGH EVERY SHROUD OF TRUTH ♪
♪ IT'S MY CONCLUSION
♪ TIME WILL STAND STILL TILL I FIND YOU ♪
♪ I KNOW YOU'RE OUT THERE I'LL PLAY MY COOL ♪
♪ OH, TILL I FIND YOU
THAT'S IT? JUST FIND HER?
I'M SORRY. WHAT DID YOU EXPECT? YOU WANT SOME FORMAL INTRODUCTIONS?
NO, BUT—SPECIAL AGENT NICOLE SCOTT:
EIGHT YEARS: SIX DIFFERENT OFFICES: CAN'T HOLD A JOB OR KEEP A PARTNER:
TOO BUSY SAVING LIVES:MEET YOUR NEXT MEAL: SPECIAL AGENT JESS MASTRIANI:
PREPARE TO BECOME PART OF THE LEGEND OF NICOLE SCOTT.OR JOHN POLLOCK:
I'M NOT ACTUALLY AN AGENT. I'M STILL TRAINING AT QUANTICO.
NOT ANYMORE: I GRADUATED YOU:
I'M AN AGENT?I DON'T WANT YOU TO SWELL UP. YOU'RE STILL ON PROBATION.
I HAPPEN TO NEED YOU AT THIS MOMENT:
WHENEVER I STOP NEEDING YOU: YOU'LL GO BACK TO THE FRY BASKET AND PAPER HAT:
IF YOUR PARTNER HASN'T KILLED YOU.[GRUNTS]
GIRL: DON'T LISTEN TO HIM.
YOU GO THROUGH A LOT OF PARTNERS OR SOMETHING?SOME CAN'T KEEP UP.
YOU'LL DO FINE.I'LL TRY. I JUST HAVE TO— I'M AN AGENT NOW.
POLLOCK ONLY PULLED YOU UP EARLY BECAUSE OF INDIANA: THAT PSYCHIC THING OF YOURS—
THAT'S WHAT HE'S AFTER.I DON'T CALL MYSELF A PSYCHIC. I JUST HAVE VISIONS:
THERE'S A DIFFERENCE?I DON'T SEE THE ANSWERS DIRECTLY. I JUST HAVE DREAMS:
KIND OF: THEY'RE HARD TO FIGURE OUT:
WELL: I'LL HELP YOU AND YOU'LL HELP ME.
START WITH THE PARENTS:
SHE LEFT THE HOUSE ABOUT 3:00.
SHE DIDN'T COME BACK. [WEEPS]
THAT'S IT.
DO YOU KNOW WHERE SHE WAS GOING?
WE THOUGHT TO CARA'S HOUSE— HER FRIEND: BUT... DIDN'T KNOW.
YOU THOUGHT?
SHE'S NOT OVERLY TRUTHFUL.
THAT'S EXAGGERATED. THAT IS EXAGGERATED: SEANNA'S A GOOD PERSON.
SHE IS A GOOD, GOOD GIRL:
SHE'S HAD A LOT IN HER LIFE AND SHE'S HANDLED IT.
WHAT DO YOU MEAN: "A LOT"?
[SIGHS]
HER FATHER— MY LAST HUSBAND—
WAS UH— HE WAS VIOLENT:
SO SHE SAW THINGS WHEN SHE WAS LITTLE:
SHE WAS 11 WHEN I MARRIED JACK:
HE ALREADY HAD JARED: I DON'T KNOW. I JUST THINK IT WAS HARD FOR HER:
SHE'S NOT A MIXER. IT'S BEEN HARD FOR HER TO FIT IN:
WHAT WOULD SHE BEING DOING AT THE MALL?
SHE LIVES THERE MORE THAN HERE:
DO YOU RECOGNIZE THE MAN IN THE TAPE?
NO.
THE BUREAU HAS EVERYTHING ON THIS, MRS. SEABROOKE:
AND I MEAN EVERYTHING:
[GASPS: SIGHS]
[QUIETLY] IT'S THE TRUTH.
IS YOUR SON AT HOME?
[SUSPICIOUSLY] YEAH. UPSTAIRS:
HELLO?
JARED?[RATTLE]
WHOA!
DON'T YELL. YOU'LL SCARE HIM.
[EXHALES] SNAKES ARE DEAF:
YOU HIT YOUR EYE?YEAH:
HOW?SEANNA HIT ME:
WHY?I DON'T KNOW.
DID IT HAVE ANYTHING TO DO WITH HER DISAPPEARANCE?NO. SHE JUST RAN:
SHE TELL YOU WHERE SHE WAS GOING?WE DON'T TALK MUCH.
WHO DOES SHE TALK TO?I DON'T KNOW.
CARA, MAYBE: THAT'S HER FRIEND.
[NICOLE] UM... THEY'RE READY FOR US AT THE MALL:
I'LL TAKE EVIDENCE SUPPORT. YOU TAKE THE WITNESS STATEMENTS:
[POLICE SIRENS]
GIVE ME YOUR GUN: I GOTTA SHOOT SOMEBODY:
USE YOUR OWN GUN:I MEAN SHOOT THEM AND GET AWAY WITH IT:
I'M NOT SCHEDULED FOR WEAPONS UNTIL TOMORROW:YOU'RE ON MY SIX WITHOUT A GUN?
[SCOFFS]
HERE:I CAN'T TAKE THIS!
I'VE GOT ANOTHER ONE.
WHERE DO YOU HAVE ANOTHER ONE?I CAN'T SHOW YOU IN PUBLIC. NOW, COME ON:
WHO WERE YOU PLANNING ON SHOOTING?THE EVIDENCE SPECIALISTS:
WHAT DID HE DO?
IF I TOLD YOU:
I'D HAVE TO SHOOT YOU.
THOUGHT I SAW YOU SKULKING AROUND:
HOW YOU BEEN?HOMICIDAL:
OH. SORRY TO HEAR THAT:
I'VE BEEN FINE, THANKS.
I'M JESS MASTRIANI. HI. I'M HER PARTNER.
WELCOME TO THE FUN HOUSE: SPECIAL AGENT ANTONIO CORTEZ:
AGENT SCOTT AND I WORKED TOGETHER:
WHEN WAS THAT AGAIN?I DON'T REMEMBER.
PHOENIX: '98, '99. IT WAS A REMARKABLE TIME:
OKAY, SO YOU KNOW EACH OTHER: GREAT: WHAT HAVE YOU GOT?
WE'VE GOT AN EMPTY ELEVATOR WITH A TRAP DOOR: BUT NO ONE SAW 'EM GET OUT.
FORENSICS?THERE'S PROBABLY A THOUSAND PEOPLE IN THERE A DAY:
WHAT ABOUT MALL SECURITY?
I GOT THE FILE RIGHT HERE
THANK YOU:MAINTENANCE RECORDS ON THE ELEVATOR:
STAFF LISTS, TAPE LOGS:
YOU SHOULD BE A COP:[CHUCKLES]
GOT FOUR APPLICATIONS IN: GUESS THERE'S A HIRING FREEZE RIGHT THROUGH MARYLAND:
WHAT ARE THE CAMERA POSITIONS?ELEVATORS, FOOD COURTS:
PARKING GARAGE:
I'VE BEEN AFTER THEM TO COVER THE EXITS: BUT, YOU KNOW HOW IT IS:
HOW IS IT?
SECURITY'S ALWAYS LAST.
THEY'VE GOT MONEY FOR LANDSCAPING:
FREE BALLET: WE'RE UP TO OUR NECKS IN CLOWNS EVERY SATURDAY:
BUT THEY WON'T SPRING FOR MORE CAMERAS: SO...
NOW LOOK WHERE THEY ARE: [GRUNTS]
ANYTHING OUT OF THE ORDINARY YESTERDAY?NO.
COUPLE OF WHITE WHITE OGS GOT IN A FIGHT:
SOME ELECTRONICS WERE STOLEN FROM THE LOADING DOCK:
YOU'D THINK THEY'D PUT A CAMERA THERE: TOO, BUT, NO.
HOW DID HE GET HER OUT OF THE ELEVATOR?YOU'RE THE F.B.I.
CAN'T EVEN MAKE SUBURBAN COP.
[BELL RINGS]
SO, SPECIAL AGENT CORTEZ:WHAT ABOUT HIM?
HE SEEMS NICE:HE'S A CHARMER.
YOU DON'T WANNA TALK?SURE, I'LL TALK. WHEN DID THESE VISIONS OF YOURS KICK IN?
I DON'T KNOW.
I LEARNED A LOT FROM DR: TANNER AT QUANTICO:
WE FOUND A TRIGGER WHICH WE'D NEVER KNOWN BEFORE.
AND THAT IS?I NEED TO HAVE AN EMOTIONAL CONNECTION TO THE SUBJECT:
IT CAN BE ANYTHING AS LONG AS I GET SOME SENSE OF WHAT THEY MUST BE FEELING:
AND I USED TO HAVE TO SLEEP TO HAVE THE VISIONS: NOW THEY CAN COME ANYTIME:
LIKE NOW?
I'LL LET YOU KNOW.
SCHOOL POLICY REQUIRES ME TO BE PRESENT WHENEVER A STUDENT IS INTERVIEWED BY POLICE:
NO PROBLEM AT ALL: WE WON'T BE LONG.
HELLO, CARA:
I'M SPECIAL AGENT NICOLE SCOTT.
THIS IS MY PARTNER: AGENT MASTRIANI:
YOUR SEANNA'S BEST FRIEND. YOU MUST BE WORRIED ABOUT HER.[INSINCERELY] SICK:
WAS THERE ANYTHING UNUSUAL GOING ON WITH SEANNA BEFORE SHE DISAPPEARED?
NO.SHE HAD SOME KIND OF FIGHT WITH HER BROTHER: MAYBE?
SHE HIT HIM: LIKE YOU WOULDN'T HAVE NOTICED.
DID SHE SAY WHY SHE HIT HIM?NO.
IT'S JUST FAMILY STUFF, RIGHT?[NICOLE] DIFFERENT KIND OF FAMILIES:
DIFFERENT KIND OF STUFF:LOOK— AT LEAST SHE HAS A FAMILY:
MY MOM SPLIT TO BURNING MAN WITH HER HIPPIE BOYFRIEND AND THEY'RE GONE TILL NEXT WEEK.
WHAT ABOUT YOUR FATHER?
YOU DON'T THINK SEANNA WANTED TO DISAPPEAR?
WE'RE 15. WE ALL WANNA DISAPPEAR:
BUT SHE DIDN'T RUN AWAY. SHE GOT IN THE ELEVATOR WITH THAT GUY AND HE TOOK HER:
AND YOU DON'T RECOGNIZE THE GUY ON THE TAPE?NO.
I WISH I DID:
I'M SORRY.
AM I DONE?
THANK YOU, CARA:
[DOOR CLOSES]WHAT DO YOU THINK?
I THINK YOUNG PEOPLE HAVE HARD LIVES:
THEY HAVE NO IDEA WHO LOVES THEM, WHO THEY SHOULD LOVE:
THEY'RE AT SEA, TRYING TO FIGURE IT ALL OUT:
WAS SEANNA LIKE THAT?SHE FITS THE PATTERN:
BROKEN HOMES, BLENDED HOMES: NO HOMES:
IT'S SO HARD FOR THEM TO PUT A LIFE TOGETHER:
SOME OF US MANAGE:
THEN, YOU BEAT THE ODDS:
PLEASE FIND HER:
SHE DOESN'T DESERVE THIS.
WHEN DOES THIS PSYCHIC STUFF KICK IN AND SOLVE THE WHOLE THING?
IT DOESN'T WORK LIKE THAT.SHE VANISHED IN AN ELEVATOR IN FRONT OF 300 PEOPLE
AND WE HAVE NOTHING: SO IF YOU'RE GONNA SEE SOMETHING, THIS MIGHT BE A GOOD TIME:
IT'S NOT THAT SIMPLE. I GOTTA BE CONNECTED: I CAN'T JUST MAKE IT HAPPEN.
[WHIMPERS: GASPS]
[MUFFLED CRIES]
OH, MY GOD.
WHAT?I GOT CONNECTED:
WHAT DID YOU SEE?SEANNA, IN A BARREL:
A BARREL?YES. SOMEONE WAS PUTTING HER INSIDE A BARREL:
IT WAS A BLIND MAN: OR WOMAN:
AND WATER STARTED POURING IN:
SO WHOEVER TOOK HER IS GOING TO DROWN HER IN A BARREL?IT'S NOT THAT LITERAL.
HEY—THAT WOMAN SAID THAT SEANNA WAS AT SEA: RIGHT?
RIGHT.MEANING, SHE WAS LOST: SO THE WATER'S PROBABLY A METAPHOR.
THAT'S HOW IT WORKS.
I CAN'T USE A METAPHOR TO FIND THIS GIRL: I NEED SOMETHING SOLID:
WE GOT A NAME:WHOSE NAME?
THE GUY IN THE ELEVATOR: WE GOT HIM ON CAMERA: FOUND A MATCH OF A PHOTO FILE FROM THE ARMY:
DANIEL PASTORIOUS: LIVES ABOUT THREE MILES FROM THE MALL:IS HE BLIND?
BLIND MEN DON'T USUALLY QUALIFY FOR COMMANDO TRAINING:
DISCHARGED ON A MEDICAL:WHAT KIND OF MEDICAL?
MENTAL INSTABILITY:
HE WAS A COMMANDO?
WELL: THIS JOB WOULDN'T BE FUN IF IT WAS EASY:
LET'S WAIT HALF AN HOUR, SEE IF HE'S HOME.WHY DO WE WAIT?
THEY'RE GONNA HAVE CAMERAS THERE WHEN YOU BRING PASTORIOUS OUT:
WHATEVER YOU DO: DO NOT TALK TO ANYONE WITH A MICROPHONE: THAT'S MY JOB.
I CAN'T BELIEVE YOU TOLD ME TO HAVE A VISION AND I DID:
I'VE BEEN WORKING TOWARDS THAT. DID YOU BRING THE MONOSHOCK?
THE WHAT?THE BATTERING RAM IN CASE HE WON'T OPEN THE DOOR.
AT QUANTICO WE TRAINED WITH A CQB THUNDERBOLT MONOSHOCK:
19,000 POUNDS OF KINETIC FORCE:
DO I LOOK LIKE I'M CARRYING 19,000 POUNDS OF KINETIC FORCE? THE SKIRT IS TAILORED:
BUT FORCE—TELLS THE WHACK JOB WE'RE THERE AND HE GOES ALAMO ON US:
ON THE OTHER HAND: IF A HOT, BLACK WOMAN
WEARIN' A FIERCE SKIRT AND SOME BAD-ASSED BOOTS KNOCKS AT HIS DOOR—
YOU SEE WHERE I'M HEADED WITH THIS?
JUST GOIN' BY WHAT THEY TAUGHT US:FORGET ABOUT 'Q' SCHOOL.
WHEN YOU'VE GOT SOME MOTHER, THE TRICK IS NOT TO TELL HIM WHAT YOU'RE DOING UNTIL YOU DO IT.
AND THEN—[SIREN]
[INDISTINCT CHATTER OVER POLICE RADIOS]
IS THIS WHY YOU TOLD ME TO WAIT?I CAN'T HELP IT IF YOU'RE LATE TO THE SCENE:
OKAY, WHERE DO YOU WANT ME?BACK IN THE CAR:
NO WAY. I CAN HANDLE THIS:
YOU CAN HANDLE IT ALONE WITHOUT BREAKING A SWEAT: HE'S NOT THERE.
YOU DON'T KNOW THAT.
HIS PARKING SPOT IS EMPTY AND HIS PHONE HAS BEEN RINGING OFF THE HOOK
SINCE I DIALED IT FIVE MINUTES AGO:
HE'S NOT THERE, SIR. IT'S EMPTY.
I DID NOT ALLOCATE YOUR REQUEST TACTICAL RESOURCES FOR THIS MISSION: SIR.
I SUGGEST THE TEAM STAND DOWN WHILE ME AND MY PARTNER FURTHER OUR INVESTIGATION:
SIR.
I DON'T SUPPOSE SEANNA WAS IN THERE?SHE WASN'T.
[INDISTINCT CHATTER OVER RADIOS CONTINUE]
I BARELY SLEPT ALL NIGHT:
IT'S ONE THING TO BE A GUIDANCE COUNSELOR: BUT WHO DO I TURN TO WHEN I NEED GUIDANCE?
WHAT'S THIS ABOUT, MISS POLE?A MAN'S REPUTATION.
YESTERDAY, AFTER YOU LEFT: CARA COOPER CAME BACK TO ME:
SEANNA'S FRIEND.[POLE] YES.
SHE HADN'T BEEN TRYING TO CONCEAL ANYTHING WHEN YOU SPOKE WITH HER:
BUT SHE DOESN'T LIKE POLICE.
AND...?
SHE SAID THAT SEANNA HAS BEEN INVOLVED WITH A TEACHER AT THE SCHOOL:
WHICH TEACHER?
ROBERT NEWELL. SENIOR DRAMA:
SHE KNOWS THAT: OR SHE'S JUST SAYING?
SHE HAS IT ON VIDEO:
[CLEARS THROAT] OKAY: I'M READY.
[CARA: OVER VIDEO] TRUTH OR DARE. [SEANNA] UM... TRUTH:
WHO DO YOU SECRETLY THINK IS HOT?
SCOTT:
I SAID "SECRETLY." OKAY, OKAY.
UM..WELL:
MR. NEWELL IS FINE:
OH, MY GOD, YOU LIKE HIM? YEAH:
AND HE LIKES ME:
YOU LIE! MM-MM.
HOW DO YOU KNOW? BELIEVE ME, I KNOW: [CHUCKLES]
OKAY, STOP: CUT. NO. FINISHED:
LOOK AT THAT:WHAT DO YOU SEE?
A LITTLE GIRL THAT NEEDS OUR HELP:
[NICOLE] SO YOU FOUND THE COMMANDO'S MOTHER.
YEP. WHO HAS A HISTORY OF ASSAULTING POLICE:
MAYBE I SHOULD HAVE GONE TO SEE THE HIGH SCHOOL TEACHER WITH ANTONIO:
IT'S NOT ENOUGH I HAVE TO BE FRIGHTENED: NOW I HAVE TO DEAL WITH THESE FALSE CHARGES?
I'M NOT CHARGING YOU. I JUST WANNA KNOW ABOUT YOU AND SEANNA:
SHE'S A STUDENT. I'M A TEACHER. BEGINNING, MIDDLE: END.
HOW'D SHE FEEL ABOUT YOU?YOU'LL HAVE TO ASK HER.
SHE'S NOT AROUND. WERE YOU CLOSE WITH HER?SHE WAS A LEAD IN THE PLAY:
WE WORKED TOGETHER: THERE WAS NOTHING INAPPROPRIATE:ANY PRIVATE REHEARSAL TIME?
I AM NOT AN IDIOT, AGENT:
WE ALL KNOW HOW VULNERABLE THESE YOUNG WOMEN ARE:
AND SO ARE THE MEN WHO TEACH THEM: WE ALL HEAR THE STORIES:
YOU NEVER RECOVER FROM FALSE CHARGES:
SO WHERE WERE YOU ON SUNDAY?
YOU KNOW WHAT? I CAN TELL YOU: I WAS AT THE GARAGE: GETTING AN OIL LEAK FIXED:
WHAT GARAGE?SCOTT'S ON WAVERLY.
I'LL CALL 'EM.
YEAH: I'LL COUNT ON IT.
LOOK:I'M SORRY. OBVIOUSLY. I'M VERY UPSET. WE ALL ARE.
PLEASE:
BRING HER BACK TO US:
BOY, YOU WEREN'T FOOLING ABOUT THE MOTHER: THIS IS AN IMPRESSIVE RECORD:
SHE REALLY HATES COPS:MM-HMM.
WHICH IS EXACTLY WHY YOU'RE LOSING THE BADGE.
WE HAVE TO IDENTIFY OURSELVES OR WE'RE GONNA BE IN VIOLATION:
MRS. EILEEN PASTORIOUS?
WHO ARE YOU?KIM LITTLE:
MARYLAND SOCIAL SERVICES: CHILD WELFARE:WHO'S SHE?
UNWED MOTHER: JUST HAD NUMBER THREE:
HOW MANY DADDIES?[STAMMERING] UH...
THREE:
I'M SUPPOSED TO SCARE HER STRAIGHT:
SO YOU BROUGHT HER HERE?I'M JUST DOING WHAT THEY TELL ME TO: MA'AM.
THIS IS ABOUT YOUR SON: DONALD PASTORIOUS:
WELL: HE'S NOT HERE.UH-HUH.
I'M WORKING ON THAT SEANNA SEABROOKE THING— MISSING GIRL?
15 YEARS OLD?I'VE SEEN IT ON THE TV.
IT'S A CHILD WELFARE CASE— RUNAWAY: BUT I THINK YOU SHOULD KNOW THAT THE POLICE—
THEY HAVE A THEORY ABOUT YOUR SON.BASTARDS:
THEY THINK YOUR SON MAY HAVE TAKEN HER.'CAUSE OF THAT TAPE?
HE GOT IN THE ELEVATOR WITH HER: THAT'S NOT A CRIME.I KNOW!
BUT THEY HANDED IT OVER TO THE F:B.I.FEDS?
BASTARDS:UH-HUH.
BUT WHAT WE'RE AFRAID OF IS— AT THE OFFICE—
WE'RE AFRAID THE FEDS WILL SHOOT HIM DOWN AS SOON AS THEY FIND HIM
AND SAY THE WHOLE THING'S SOLVED, YOU KNOW HOW THEY ARE:
SO IF YOU HAVE ANY IDEA WHERE YOUR SON MIGHT GO AND WE COULD FIND HIM FIRST—
I THINK IT WOULD BE BETTER FOR HIS HEALTH:
I DON'T TALK TO HIM MUCH SINCE HE COME OUT OF THE ARMY:
THEY WERE SUPPOSED TO FIX HIM: BUT HE'S STRANGER NOW.
I SOLD HIM MY OLD TELEVISION: HE SAID IT DIDN'T WORK.
I SAID: "IT WAS WORKIN' WHEN I GIVE IT TO YOU."
IS THERE ANYWHERE HE MIGHT HAVE GONE?WHAT DO YOU CARE?
I'M... JUST CONCERNED.
YOU SHOULD BE CONCERNED WITH SAYIN' "NO".
THREE KIDS, YOUR AGE:MM-MM-MM.
SO IF YOU HAVE ANY IDEA WHERE YOUR SON MIGHT GO:?
SOMETIMES: WHEN HE'S FEELING A LITTLE UNDER PRESSURE:
HE GOES CAMPING WITH A FRIEND OF HIS:
WHO?I DON'T KNOW. HE CALLS HIM "PRETTY BOY."
PRETTY BOY?
DON'T SAY IT LIKE THAT.
I'M SORRY.DONALD'S ALL MAN.
HE JUST PACKS UP HIS BIG: YELLOW TENT AND SAYS: "I'M GONNA GO SEE THE PRETTY BOY."
NEVER TOLD HER YOU WERE F:B.I. THAT IS AGAINST REGULATIONS.NOT TRUE:
I'VE DONE A LOT OF UNDERCOVER WORK:
THIS IS NOT UNDERCOVER!TELL HER WE'RE BUREAU AND SHE'S SLAMMIN' THE DOOR.
THE TRUTH IS—THE TRUTH IS A TOOL:
SOMETIMES IT'S USEFUL.
LIKE A HAMMER: JUST RIGHT WHEN YOU NEED TO DRIVE IN A NAIL:
BUT SOMETIMES YOU GOTTA PUT IN SCREWS:
AND THAT HAMMER JUST WON'T WORK.
YOU GET THAT?
YEAH. I GOT IT:
GOOD:
WHAT'S UP?
YOU SEE SOMETHING?
YEAH: THE BARREL— IT WAS FALLING: THEN IT BLEW UP:
MEANING?
THAT'S THE TRICKY PART. I DON'T KNOW.
OKAY: DON'T QUIT ON ME HERE.
WHAT COMES IN BARRELS AND EXPLODES?
THAT SOUNDS LIKE A BAD JOKE:NO...
GUNPOWDER: GUNPOWDER USED TO BE PACKED IN BARRELS:
OKAY. SO, THE GUNPOWDER FALLS:THAT'S IT.
THERE'S A STATE PARK CALLED GUNPOWDER FALLS NOT FAR FROM HERE:
IN THE PARK: THERE'S A RESERVOIR:
GUESS WHAT IT'S CALLED.PRETTY BOY.
UH-HUH. [CHUCKLES]
OH... YOU LOADED?
OF COURSE: AT TRAINING THEY TOLD US WE—DO YOU KNOW
YOU'RE LOADED?
THIS AIN'T TRAININ', JESS. THIS IS LIFE:
WHAT DO YOU THINK?
I THINK THEY OUGHT TO PAY ME FOR MY DRY CLEANING BILL: LOOK AT THIS MUCK:
GO LEFT:
F.B.I.! FREEZE!
[GRUNTS]
[KARATE GRUNTS]
THAT'S IT! IT'S OVER!
WHERE'S SEANNA?
NOT HERE:
YOU'RE GONNA TELL US WHERE SHE IS:
THIS REALITY ISN'T EVERYTHING IT'S CRACKED UP TO BE.
WHAT'S THAT SUPPOSED TO MEAN?
VIDEO SHOWS ME GETTING ON THE ELEVATOR AND NEVER GETTIN' OFF, BUT HERE I AM:
YEAH, HERE YOU ARE:
LET'S GO OVER THIS AGAIN.
[MUFFLED GASPS AND SHOUTS]
[GASPS]
SO THE QUESTION IS: HOW'D YOU GET HER OFF?
AND WHAT DID YOU DO WITH SEANNA?
MAYBE I NEVER GOT OFF: MAYBE THIS IS AN ILLUSION AND I'M STILL IN THERE.
WITH SEANNA?I DON'T KNOW.
DIDN'T EVEN NOTICE HER.
THEN WHY'D YOU RUN AWAY?
TRY WAKING UP: FINDING YOURSELF ON EVERY CHANNEL:
I KNEW WHAT YOU'D DO TO ME, A COMMANDO HEAD CASE:
WON'T EAT HIS MEDS THE WAY THEY WANT HIM TO:
HEY.HI.
YOU OKAY?YEAH. YEAH. FINE:
JUST WAITING FOR NICOLE:
SO, WHAT DO YOU DO WHEN YOU'RE NOT DISSECTING BODIES?
WELL: I GOT A MAJOR JONES FOR CARS:
REALLY?MM-HMM.
WHAT KIND OF CARS?YOU WOULDN'T KNOW 'EM.
MOPAR MUSCLE CARS.I LOVE MOPAR:
YEAH?YEAH:
[NICOLE CHUCKLES]
[ANTONIO] YOU PACKIN'?DON'T WORRY.
WHEN I FINALLY CAP YOUR ASS: YOU WON'T SEE IT COMING.
UH, THAT DRAMA TEACHER HAD AN ALIBI:
HE TOOK HIS CAR TO GET FIXED: TWO CRACKS IN THE OIL PAN:
HE BRING IT IN HIMSELF?THAT'S WHERE THERE'S TRACTION.
THE TIME HE SIGNED IN DOESN'T MATCH THE TIME ON THE WORK ORDER:
HOW MUCH IS IT OFF?40 MINUTES:
SO HE COULD MAKE IT LOOK LIKE HE GOT TO THE GARAGE EARLIER THAN HE DID:
HE COULD HAVE BEEN AT THE MALL WHEN SEANNA DISAPPEARED:
RIGHT:THERE'S SOMETHING ELSE. I SAW THE BARREL AGAIN:
I THOUGHT THE BARREL EXPLODED?THEY'RE DREAMS. THEY DON'T COME IN ORDER.
SEANNA'S INSIDE THE BARREL AND THE WATER'S RISING. SHE'S RUNNING OUT OF TIME.
WHAT BARREL?YOU THINK THE WATER MEANS WATERBURY HIGH SCHOOL?
MAYBE: THERE'S SOMETHING ELSE. THERE WAS A SNAKE NEXT TO THE BARREL:
WHAT BARREL?SHE HAS VISIONS: SEANNA'S BROTHER HAS A SNAKE:
HEY, HI. NEW GUY STANDING HERE:
YOU-YOU GET VISIONS? LIKE: YOU SOLVE CASES?
NOT THAT DIRECTLY: I'M GONNA INTERVIEW THE BROTHER AGAIN:
BECAUSE OF THE SNAKE? BUT DON PASTORIOUS WAS WEARING SNAKESKIN BOOTS:
THAT FITS TOO. STILL: I WANNA TALK TO THE BROTHER.[NICOLE] OKAY, YOU SHOULD:
CORTEZ—YEAH, YEAH: I'LL CHECK THE TEACHER ON THE SIGN-IN TIME:
VISIONS:
WHAT ARE YOU GONNA DO?I'VE GOT A WORKING THEORY.
WHICH IS?IF I KEEP WORKING: I'LL GET A THEORY.
[NICOLE] OKAY, CHECK THIS OUT: THIS IS A SECOND FLOOR ELEVATOR:
SEANNA GETS ON WITH DON PASTORIOUS:
NOW, HERE'S THE FIRST FLOOR.
THE ELEVATOR DOORS OPEN: THEY DON'T GET OFF.
BUT LOOK. THIS SHADOW:
BY THE TIME WE FROM THE SECOND FLOOR TO THE FIRST:
THE SHADOW'S MOVED.
MAYBE THEY'RE DIFFERENT ON THE TWO FLOORS?
THEY'RE NOT. I WAS THERE. THE SHADOWS ARE IDENTICAL:
THEY'RE CAST BY A PILLAR THAT RUNS THE ENTIRE HEIGHT OF THE BUILDING:
THE SHADOW SEEMS TO JUMP—BECAUSE TWO PIECES OF VIDEO AREN'T CONTINUOUS.
THE SECOND ONE: FROM THE EMPTY ELEVATOR: IS FROM A FEW MINUTES LATER:
THEN THE TIMECODE IS WRONG AND WE DON'T SEE 'EM GET OFF
BECAUSE THEY GOT OFF, WHAT: 5, 10 MINUTES EARLIER?
SOMEONE CUT A CHUNK OF SURVEILLANCE TAPE:
SEANNA DIDN'T VANISH. SHE WAS EDITED OUT:
BY SOMEONE WHO HAD ACCESS TO THE SURVEILLANCE TAPE AND KNEW HOW TO CHANGE THEM:
F.B.I.! DON'T MOVE!
[GRUNTS]
[GASPS]PUT YOUR HAND BACK:
YOU'RE UNDER ARREST.[TIGHTENS HANDCUFFS]
SHE TURNS UP DEAD: YOU'RE AN ACCESSORY TO HOMICIDE.
LOOK:
NO ONE WANTS THAT:
TELL YOU WHAT:
GIVE ME SOMETHIN' TO DRINK, I'LL TELL YOU WHAT HAPPENED.
I KNOW WHAT HAPPENED:
SOME ELECTRONICS WERE STOLEN FROM THE LOADING DOCK:
YOU'D THINK THEY'D PUT A CAMERA THERE: TOO, BUT, NO.
YOU WERE IN ON THE THEFT: AND YOU CUT A COUPLE OF MINUTES OUT OF THE TAPE TO HIDE IT:
RIGHT?
OKAY: YES. [GRUNTS]
GET UP!
YOU STUPID MOTHER: A LITTLE GIRL COULD BE DYING AND YOU DIDN'T TELL US.
HOW COME? YOU DO IT BY YOURSELF?NO, I GOT A PARTNER: DOMINICK:
AND YOU PROTECTED HIM INSTEAD OF THAT LITTLE GIRL? HOW YOU WORKIN' THIS?
I-I JUST SET IT UP: MY PARTNER COMMITS THE CRIME:
HE WEARS A UNIFORM: I TELL HIM WHEN THE STUFF'S AT THE LOADING DOCK:
AND YOU BRING HIM OUT, AWAY FROM THE SECURITY CAMERAS. YEAH: EXCEPT HE'S STUPID.
HE WENT PAST THE CAMERA AT THE ELEVATOR:
SO YOU HAD TO ERASE THAT PART OF THE VIDEO AND RESET THE TIMECODE:
SEANNA DIDN'T VANISH. HE JUST MADE IT LOOK THAT WAY:WHY WOULDN'T YOU TELL US?
BECAUSE THEN I'M IN THE JOINT AND THEN I'LL NEVER GET TO BE A COP. WHAT WOULD YOU DO?
STAY THERE TILL WE GET BACK:
YOU MIGHT LIVE LONG ENOUGH TO GET TO THE JOINT:
[DOOR SHUTS]
SO I RESTORED THE VIDEO: THE GUY'S A MORON.
HE LEFT A FILE MARKER IN THE ALLOCATION TABLE:
SOMETIMES I'M GLAD I DON'T KNOW WHAT YOU'RE SAYING.
HE DIDN'T DO IT.
AND KESSLER OBSTRUCTED US: BUT HE DIDN'T TAKE SEANNA.
[ANTONIO] LOOK: PASTORIOUS GOES THE OTHER WAY:
MAYBE NOBODY DID:
WHAT DO YOU MEAN?ALL WE'VE GOT NOW IS,
SHE GETS ON AN ELEVATOR: WALKS AWAY: SHE'S UNHAPPY AT HOME, SHE SMACKED HER BROTHER:
SHE THINKS SHE'S INTO THIS OLDER GUY:
I'VE RUN AWAY FOR LESS.
THAT'S WHAT THE BROTHER SAYS HAPPENED.EXCEPT FOR ONE THING:
WHAT'S THAT?DRAMA TEACHER'S LYING.
AFTER I TALKED TO HIM AGAIN: I TOOK A PRINT OF THE OIL STAIN IN HIS PARKING SPACE:
TWO CRACKS IN A PAN LEAVES A DISTINCTIVE PATTERN ON THE GROUND:
MY TEAM TOLD ME IT MATCHES A STAIN FOUND AT THE SHOPPING MALL:
I'M TELLING YOU. THE GUY WAS THERE:ON SATURDAY?
[SIGHS] CAN'T TELL.
[POLLOCK] YOU DON'T NEED TO.
YOU GOT ENOUGH FOR A SEARCH WARRANT:
IN WHAT JURISDICTION: IRAN? WE DON'T HAVE THE EVIDENCE.
I WON'T ASK WHERE YOU GET YOUR SEARCH WARRANTS: YOU DON'T ASK WHERE I GET MINE.
LET'S TURN NEWELL'S PLACE OVER AND TALK TO HIM:
[CAMERA CLICKS]TAKE THE ONES OVER THERE:
YOU MISSING ANYTHING IN HERE: MR. NEWELL?
I CAN'T TELL.
YOU PEOPLE TORE THE PLACE APART:HM.
THIS KNIFE IN THE DISHWASHER?
NO. I-I HAVEN'T USED THAT ONE IN A WHILE: I HAVEN'T BEEN DOING MUCH COOKING:
JUDGING BY THE SLOT, HERE: IT'S A REAL BIG ONE.
I DON'T HAVE TO SAY ANYTHING WITHOUT A LAWYER:NO, YOU DON'T.
BUT IT WILL TAKE AN HOUR OR TWO TO GET ONE IN HERE:
AND SEANNA COULD DIE IN THAT TIME:
THERE WAS NOTHING IMPROPER:
SO WHAT WAS THERE?
WELL, SHE NEEDED HELP:
SHE WOULDN'T GO TO ANYONE ELSE:
SHE'D HIT HER BROTHER AND— SHE HAD FEELINGS FOR ME:
THE WRONG KIND OF FEELINGS: BUT I COULDN'T JUST IGNORE HER.
SO...?
SHE WAS CRYING: SHE-SHE WAS UPSET:
SHE WANTED TO COME TO MY HOUSE. I-I SAID NO:
I SAID: "WE'LL GO SOMEWHERE PUBLIC WHERE THERE WOULDN'T BE ANY SUSPICION."
THE MALL:
YEAH. SHE-SHE NEVER:
SHE NEVER SHOWED UP:SO YOU JUST TOOK THE CAR TO BE FIXED?
I COULDN'T WAIT. I THOUGHT SHE CHANGED HER MIND:
YOU LIED WHEN YOU SIGNED THE CAR IN AT THE GARAGE: WHY?
I DON'T KNOW WHY, ALL RIGHT! I—
I FELT GUILTY:
I-I DIDN'T WANT ANY QUESTIONS:
SO, THERE WAS NOTHING WRONG WITH THIS BUT YOU WERE WORRIED:
I'VE BEEN THROUGH IT ALL BEFORE.
WHEN?LAST TERM:
SAME THING ALL OVER AGAIN:
THE GIRL STARRING IN THE PLAY BECAME OBSESSED WITH ME:
WHO WAS THAT?SEANNA'S FRIEND.
CARA COOPER: THERE WAS PHONE CALLS:
LETTERS, UNEXPECTED VISITS:
LOOK, I WANTED NO PART OF IT:
WHAT WAS THE PLAY?IT WAS WAIT UNTIL DARK:
EVERY SCHOOL DOES IT:
DID SHE PLAY THE BLIND GIRL?
HOW'D YOU KNOW?
CARA COOPER: WHAT'S A "COOPER"?
I JUST REALIZED: A COOPER IS SOMEBODY WHO MAKES BARRELS!
[SHOUTS]
[HISSES]
LOOK, YOU KNOW: STUFF HAPPENS:
IT JUST HAPPENS:
I JUST WANTED TO KEEP YOU AWAY FROM MR. NEWELL:
YOU KNOW HE'S MINE.
HOW WAS I TO KNOW THEY'D PUT YOU ON TV?
IT'S LIKE, "WHERE'S SEANNA'S NEW HIT SHOW." SO I CAN'T JUST LET YOU GO:
[WHIMPERS]
YOU LOVE HIM: DON'T LIE TO ME. I CAN SEE IT!
[WHIMPERS]I CAN'T BELIEVE YOU WOULD DO THIS TO ME:
AFTER YOU KNEW—YOU KNEW WHAT I HAD IN MY HEART FOR HIM!
I HAVE TO KILL YOU NOW:
[CRIES]
CARA'S APARTMENT MAKES SENSE. SHE SAID HER MOTHER WAS OUT OF TOWN:
IT'S GOTTA BE.
[SIGHS] CAN'T YOU DRIVE ANY FASTER?I SUPPOSE YOU COULD?
YES, ACTUALLY.THEN YOU DRIVE NEXT TIME:
IT DOESN'T MATTER. WE'RE AHEAD OF THE RESPONSE TEAM: WE'RE GONNA HAVE TO WAIT:
WHAT DID YOUR LAST VISION TELL YOU? THE GIRL WAS OUT OF TIME?YOU BELIEVE IN MY VISION?
DON'T YOU?YEAH, BUT WE STILL HAVE TO GO IN FORCE. IT SAYS SO IN THE MANUAL:
SHOW ME:
WHAT: NOW?
YEAH: NOW. I KNOW YOU GOT IT ON YOU:
SHOW ME:
UH...
I KNOW IT BY HEART: LET ME HELP YOU OUT:
WHAT WAS THAT?
US, BECOMING PARTNERS: NOW, LET'S GO DO SOME GOOD.
[GASPING]SO YOU WANNA KNOW WHAT I DID?
I TOLD THEM ABOUT YOU AND MR. NEWELL:
SO THEY THINK HE HAS A THING FOR YOU:
[CRYING] NO!
THEN I BROKE INTO HIS HOUSE:
AND I TOOK THIS:
[SEANNA MOANS]
[PLEADING] NO!
IT'S APARTMENT 401.
YOU TAKE THE FRONT: I'LL TAKE THE BACK.OKAY.
YOU READY?COUNT ON IT:
I DO.
IT'S GONNA BE MESSY, BUT THAT'S WHY I GOT THAT PLASTIC SHEET COVER:
[SCREAMS]
[DOOR OPENS]
[FLASHBACK] SIMULATION, FAILED:
[GASPS: GRUNTS]
[PANTING]
[QUIETLY] NICOLE: YOU READY?
JUST:IN A SEC.
[SEANNA, HYSTERICAL]THIS IS SO HARD FOR ME:
WHY DID YOU HAVE TO DO THIS TO ME: SEANNA?
THERE'S NOISE INSIDE.
[YELLING] GO! GET IN THERE!
FREEZE![SCREAMING] NO!
[GRUNTING: GROANING]
[SCREAMS]
[NICOLE] FREEZE!
IT'S OVER, CARA.[SIRENS APPROACH]
IT'S OVER.
[SIRENS GET CLOSER]
IT'S OKAY.I'M SORRY. I COULD HAVE HANDLED IT BETTER:
HEY, HEY, HEY.
GO MAKE YOUR FIRST ARREST:
MY ARREST?IT'S YOUR COLLAR.
[SEANNA WHIMPERS]IT'S ALL RIGHT, SWEETIE.
[NICOLE] WE'RE HERE.
[JESS] CARA COOPER: YOU ARE UNDER ARREST. YOU HAVE THE—I GOT IT:
CARA COOPER: YOU'RE UNDER ARREST FOR KIDNAPPING AND ATTEMPTED MURDER:
[HANDCUFFS LOCK]READ HER HER RIGHTS, AGENT:
YOU HAVE THE RIGHT TO REMAIN SILENT:
ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU IN A COURT OF LAW:
[GASPS]
[WEEPS]GOT YOU:
[NEWSCASTER] THE VICTIM WAS RESCUED BY A SPECIAL F:B.I. SQUAD
HEADED BY ASSISTANT DIRECTOR JOHN POLLOCK:
I'M FORTUNATE TO HAVE MANY SELFLESS STAFFERS HERE AT THE BUREAU:
UNITED BY A SOLID COMMAND STRUCTURE:
HE'LL NEVER WHISPER OUR NAMES.I DIDN'T WANNA BE FAMOUS ANYWAY:
IT'S JUST SO TOTALLY UNFAIR.
FAIR HAS NOTHING TO DO WITH IT: MASTRIANI, GIVE ME YOUR I:D.
YOU'RE OFF PROBATION.
CONGRATS:
[NICOLE] UH, HEY?MM-HMM?
FORGETTIN' SOMEONE?YOU DID YOUR JOB, AGENT.
THAT SHOULD BE ITS OWN REWARD:
OH, BUT IN RECOGNITION OF YOUR OUTSTANDING WORK: I'M ASSIGNING CORTEZ TO YOUR TEAM:
PERMANENTLY:
THAT'S A REWARD?
YOU SHOULD HAVE SEEN THE PUNISHMENT:
SO... HI. WELCOME:
THANK YOU:
SO YOU'RE REALLY INTO MUSCLE CARS?GOT A '71 BARRACUDA.
YOU SHOULD COME BY AND CHECK IT OUT SOMETIME:
SHE AIN'T SEEIN' NOTHIN' OF YOURS BETWEEN HERE AND JUDGMENT DAY:
YOU'RE BUYIN' ME A DRINK.BUT WE'RE WORKING TOGETHER. I HAVE TO GET TO KNOW HIM:
A BUNCH OF DRINKS—
COSMOPOLITANS: THEY'RE EXPENSIVE. [LAUGHS]
CLOSED CAPTIONING BY J.R. MEDIA BURBANK - CA